Maurizio Bolognini (Brescia, 1952) programmed the computers composing the installation to generate images incessantly. However, the photos are precluded to the viewer. All the access doors to the machines are sealed with silicone, preventing the data - and their visual representation - from exiting. Through this act of deprivation, the artist reflects on the image flow, shifting attention from the content to the infinite process of execution.
Maurizio Bolognini